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Landscapes from the Royal Academy Collection

7 Jan — 17 Dec 2006

In the Council and Reynolds Rooms, John Madejski Fine Rooms

Free admission

J M W Turner RA, Dolbadern Castle, 1800.
J M W Turner RA, Dolbadern Castle, 1800. Oil on canvas
Chronologically this display from the Academy’s Collection begins and ends with two brooding Welsh landscapes. The effect of J.M.W. Turner’s Dolbadern Castle is heightened by historical narrative, whereas Kyffin Williams’s Dafydd Williams includes a contemporary portrait of a hill farmer who appears almost as monumental as the landscape he inhabits. Paintings of the English countryside reveal a strong sense of place, such as John O’Connor’s melancholic, pastoral vision of a harvest moon over a Suffolk landscape. Other artists in the exhibition were inspired by travels in different countries. Freddie Gore’s paintings celebrate Majorcan landscape. They can be seen alongside John Singer Sargent’s peaceful Italian garden and Sir Winston Churchill’s idyllic vision of the South of France.

Sir Kyffin Williams RA, Dafydd Williams on the Mountain
Sir Kyffin Williams RA, Dafydd Williams on the Mountain Oil on canvas 915 X 1218 mm

Fine Rooms Logo 1Opening times
1pm-4.30pm Tuesday to Friday
10am-6pm Saturday and Sunday
Closed Monday

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Show photo credits

Joan Miró, The Birth of Day 1 (Naissance du jour 1), 1964. Oil on canvas, 146 x 113.5 cm. Fondation Marguerite et Aimé Maeght, Saint-Paul. Photo © Galerie Maeght.
© Succession Miró/ADAGP, Paris and DACS, London 2008.

 

The Antioch Chalice, Byzantine, from Syria, possibly Kaper Koraon or Antioch, first half of the sixth century. Silver cup set in footed silver-gilt shell, Height 19. 7 cm. Lent by the Metropolitan Museum of Art, New York. The Cloisters Collection, 1950 (50.4). Photo © The Metropolitan Museum of Art