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China: The Three Emperors, 1662—1795

12 Nov 2005 — 17 Apr 2006

In the Main Galleries

This magnificent exhibition explored the artistic and cultural riches of Imperial China. Spanning the reigns of three Emperors, Kangxi (1662—1722), Yongzheng (1723—35) and Qianlong (1736—95), it focused on the most powerful rulers of China’s last dynasty: the Qing. Each Emperor employed the greatest artists and workshops of his day to glorify his rule.

China: The Three Emperors, 1662—1795 featured over 370 treasures, including precious robes and palace furnishings, paintings and painted scrolls, weapons and ceremonial armour, clocks and astronomical instruments, antique jades and bronzes, ingenious scientific instruments, the finest porcelain, carvings and lacquer ware, elegant furniture, a sedan chair and an imperial throne.

China: The Three Emperors, 1662—1795 Student Guide (1.6 MB)

Click here to visit the dedicated exhibition subsite www.threeemperors.org.uk

Academy Shop

Show photo credits

Joan Miró, The Birth of Day 1 (Naissance du jour 1), 1964. Oil on canvas, 146 x 113.5 cm. Fondation Marguerite et Aimé Maeght, Saint-Paul. Photo © Galerie Maeght.
© Succession Miró/ADAGP, Paris and DACS, London 2008.

 

The Antioch Chalice, Byzantine, from Syria, possibly Kaper Koraon or Antioch, first half of the sixth century. Silver cup set in footed silver-gilt shell, Height 19. 7 cm. Lent by the Metropolitan Museum of Art, New York. The Cloisters Collection, 1950 (50.4). Photo © The Metropolitan Museum of Art