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At Home: Portraits of Artists in the Royal Academy Collection

Until 25 Nov 2007

In the John Madejski Fine Rooms


Free

This exhibition explores the rich variety of representations of artists in the Royal Academy’s collection. These range from C. R. Leslie’s tiny, intimate picture of his friend John Constable, via A. G. Walker’s depictions of studio life, to grand formal images such as Giuseppe Ceracchi’s bust of Reynolds, George Frederic Watts’s portrait of Lord Leighton and Charles West Cope’s magnificent Victorian group, ‘The Council of the Royal Academy’. Alongside these are Thomas Gainsborough and John Bellany’s revealing self-portraits, Sir Joshua Reynolds’s depiction of his theatrically dressed studio assistant Giuseppe Marchi and an early portrait of Laura Knight by her husband-to-be, Harold Knight. Together these works offer a fascinating glimpse of artists’ lives, aspirations and achievements over the last 250 years.

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Show photo credits

Joan Miró, The Birth of Day 1 (Naissance du jour 1), 1964. Oil on canvas, 146 x 113.5 cm. Fondation Marguerite et Aimé Maeght, Saint-Paul. Photo © Galerie Maeght.
© Succession Miró/ADAGP, Paris and DACS, London 2008.

 

The Antioch Chalice, Byzantine, from Syria, possibly Kaper Koraon or Antioch, first half of the sixth century. Silver cup set in footed silver-gilt shell, Height 19. 7 cm. Lent by the Metropolitan Museum of Art, New York. The Cloisters Collection, 1950 (50.4). Photo © The Metropolitan Museum of Art