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Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
IAN MCKEEVER SPEC.ED ARTISTS LAB |
£ 250 |
This 48-page book is the first in the series Artists’ Laboratory. It includes an essay by the late Norbert Lynton on McKeever’s Hartgrove Paintings, and a conversation between McKeever and a fellow Academician, the sculptor Richard Deacon, in which the two artists discuss their respective practices and their relationship with photography.
The book is also published in a limited edition of fifteen copies, each of which includes a photographic print, signed and numbered by the artist, Hartgrove, 2010, 13.2 x 10.1 cm.
48pp, 30 illustrations, softback with a dustjacket.
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