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José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
Until 11 July 2008
In the Library Print Room
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![John Rocque (c.1704-1762), A Plan of the Gardens and View of the Buildings … at Esha [i.e. Esher], Surrey, 1737.](http://static.royalacademy.org.uk/images/width370/pl006218-1442.jpg "John Rocque (c.1704-1762), A Plan of the Gardens and View of the Buildings … at Esha [i.e. Esher], Surrey, 1737.")
John Rocque (c.1704-1762), A Plan of the Gardens and View of the Buildings … at Esha [i.e. Esher], Surrey, 1737. Etching
This series of illustrated garden plans by the Huguenot-born landscape surveyor John Rocque (c.1704-1762) is the most important surviving visual record we have of the great aristocratic gardens of early 18th-century Britain.
They capture a key moment in garden history, revealing in a unique way how the painter-architect William Kent (1685-1748) and his patrons were laying the foundations of a new kind of landscape garden - arguably this country's most distinctive and widely-imitated contribution to the visual arts.
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