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Richard Pare, 'Bakery: interior showing industrialised baking using mass-production techniques' (detail), 1999. 121.9 x 308.4 cm. Richard Pare, courtesy Kicken Berlin © Richard Pare.
29 October 2011—22 January 2012
In The Sackler Wing of Galleries, Burlington House
2009-2013 Season supported by
Supported by
Christmas and New Year opening times
Buy tickets online or telephone 0844 209 0051 (booking fees apply. Price includes £2.50 gallery guide. RA Friends go free and do not need to book)
This exhibition examines Russian avant-garde architecture made during a brief but intense period of design and construction that took place from c.1922 to 1935. Fired by the Constructivist art that emerged in Russia from c.1915, architects transformed this radical artistic language into three dimensions, creating structures whose innovative style embodied the energy and optimism of the new Soviet Socialist state.
The drive to forge a new Socialist society in Russia encouraged synthesis between radical art and architecture. This creative reciprocity was reflected in the engagement with architectural ideas and projects of such artists as Kazimir Malevich, Vladimir Tatlin, Liubov Popova, El Lizzitsky, Ivan Kluin and Gustav Klucis, and in designs by such architects as Konstantin Melnikov, Moisei Ginsburg, Ilia Golosov and the Vesnin brothers, as well as Le Corbusier and Erich Mendelsohn, European architects who were draughted in to help shape the new utopia.
The exhibition juxtaposes large-scale photographs of extant buildings with relevant Constructivist drawings and paintings, vintage photographs and periodicals. Many of the works have never been shown in the UK before.
Courtyard Sculpture
In conjunction with the exhibition, a reconstruction of Vladimir Tatlin’s Monument to the Third International, known as ‘Tatlin’s Tower’, specially commissioned from Jeremy Dixon of Dixon Jones Architects has been installed in the Royal Academy’s Annenberg Courtyard.
A supporting exhibition in the Architecture Space (23 September – 29 January 2012) explores the conception, vision and symbolism of Tatlin’s Tower and uncovers the intriguing process undertaken for its special recreation at the Royal Academy.
Exhibition organised by the Royal Academy of Arts in collaboration with the SMCA-Costakis Collection, Thessaloniki, and with the participation of the Schusev State Museum of Architecture, Moscow, and Richard Pare.
