Skip to navigation | Skip to search
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
26 May 2012
F. R. Yerbury (1885–1970), St Mary Woolnoth, 1924, Courtesy of the Architectural Association
Although known for his East London churches, Hawksmoor had a hand in several Wren church spires as well as designing on his own the exquisite St Mary Woolnoth. After an introductory talk at St Mary’s by exhibition curator Owen Hopkins, we consider Hawksmoor’s other City spires and are joined by Alex Scott-Whitby of StudioAR, who won the RIBA ‘Forgotten Spaces’ competition with a proposal for turning unused City spires into low-rent creative studios.
2.30–4.30pm; meet outside St Mary Woolnoth, King William Street, EC3V 9AN
SOLD OUT
