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Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
22 November 2013
In the Reynolds Room, a John Madejski Fine Room
Private Eye. Reproduced by kind permission of PRIVATE EYE magazine - www.private-eye.co.uk/ PA Images What is the role of political satire in contemporary Britain? Tony Rushton (former Art Director, Private Eye) and exhibition curator Ann Dumas explore satirical imagery from 19th-century France to 21st-century Britain.
6.30–7.30pm; followed by a drink.
Evening lecture only / Friends of the RA £12
Evening lecture and entry to Daumier (1808-1879): Visions of Paris £16 / £7 reductions (students, jobseekers and people with disabilities)
Other ways to book
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