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José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
25 June 2012
In the Main Galleries, Burlington House
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For Steven Holl Architects, the unique character of a programme and site becomes the starting point for each architectural idea, anchored in an understanding of the relationship between time, space, light and materials. Just as with instruments in musical composition, they believe that the materials of architecture communicate through resonance and dissonance. Their thoughtful architecture and transformation of natural materials aims to produce stimulating and sense-provoking qualities in the experience of a place.
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