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José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
21 May 2011
In RA Schools
Memory continually mediates how we perceive space. It allows us both to navigate the familiar and to recall long-buried experiences. During this afternoon of discussion, we explore how artists and architects have sought to exploit these processes, and speculate on the implications of new scientific and cultural understandings of memory and space.
Read more about other events in the Future Memory series
2.30–5pm; followed by a drink
SOLD OUT
