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Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
11 November 2011
In the Reynolds Room, a John Madejski Fine Room
Left: Rusakov Workers’ Club in 1995, photographed by Richard Pare. Richard Pare, courtesy Kicken Berlin/© Richard Pare. Right: Rusakov Workers’ Club, Moscow, in 1938, designed by Konstantin Melnikov in 1927. Department of Photographs, Shchusev State Museum of Architecture, Moscow.
Richard Pare, whose photographs are central to the exhibition Building the Revolution: Soviet Art and Architecture 1915-1935 , discusses with Jay Merrick his 15-year campaign to capture Russia’s extraordinary but much neglected Constructivist architecture, and the issues and stories that have emerged as a result.
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