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Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
17 October 2011
In the Reynolds Room, a John Madejski Fine Room
The Villa, Hoogvliet, Netherlands, 2008 by FAT Photo Maarten Laupman This event examines how digital theory and other contemporary phenomena have revived post-modernism's goals of taking architecture into the realms of taste, popular culture and meaning. Speakers include architects Sean Griffiths, Edouard François, Alejandro Zaera-Polo, critic Charles Jencks and academic Richard Patterson. Chaired by Jeremy Melvin.
Coincides with the publication of Radical Post-Modernism, Architecture Design (AD) by John Wiley & Sons.
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01:24 mins (48.2 MB)
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