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© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
26 January 2011
In sketch at the RA, 6 Burlington Gardens
Susie MacMurray, Widow, 2009. Leather and adamantine dressmaker’s pins. 165 x 240 x 200 cm. Gallery of Costume, Manchester City Galleries. Photo Susie MacMurray. Cake and conversation feature at this salon, where the audience joins journalist Hilary Rose, Caterina Radvan (London College of Fashion) and Nigel Hartley (St. Christopher’s Hospice) to explore the psychology of fashion in relation to illness and how, after death, the protective and comforting aspects of clothing are no longer essential, but their symbolic values may remain.
Supported by Bastyan.
FULLY BOOKED
