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© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
23 March 2012
In the Reynolds Room, a John Madejski Fine Room
Tickets will be available on the door of the event from 6pm.
Zoffany’s paintings of theatrical scenes appear to be realistic records of the eighteenth-century stage. But was he as dedicated to creating an illusion as the plays and players that he depicted? The art historian Robin Simon investigates.
Listen to this talk
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00:49 mins (28.1 MB)
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