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Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
4 March 2011
In the Reynolds Room, a John Madejski Fine Room
Dame Barbara Hepworth, 'Single form (Memorial)', October 1961. Photo Roy Fox © Bowness, Hepworth Estate The curators of the RA’s ‘Modern British Sculpture’ exhibition - Dr Penelope Curtis, Tate Britain, and artist Keith Wilson - and the Hayward’s ‘British Art Show 7’ exhibition- Lisa Le Feuvre, Henry Moore Institute, and Tom Morton, curator, join Michael Archer, Goldsmiths to examine the modernity and identity of British sculpture, and consider its sculptural nature.
Lecture 6.30–7.30pm
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