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© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
13 January 2012
In the Reynolds Room, a John Madejski Fine Room
Vladimir Tatlin, Monument to the third International, ‘front’ elevation Drawing. ‘The Monument to the third International’ by Nikolai Punin, 1920.
Art historian John Milner explores the vast, dynamic Tower envisaged by Tatlin and his team, its radical embrace of world revolution, and its impact on Soviet architecture of the 1920s.
6.30–7.30pm
SOLD OUT
