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© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
27 February 2012
At the Geological Society, Piccadilly
Tower of St George in-the-East, Wapping (1714–29) by Nicholas Hawksmoor. Photo © Royal Academy of Arts A panel discusses the work of one of Britain’s most original and enduring architects and explores how his architecture – both built and unbuilt – has left its mark on our imaginations. Contributors include Ptolemy Dean, Iain Sinclair and Elizabeth McKellar. Chaired by Owen Hopkins.
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