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José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
3 December 2013
In the Library Print Room
In the Rag Trade'(Illustration for Graphic America), wood engraving by William Luson Thomas after A. Boyd Houghton, published in The Graphic, 9th April 1870, © Royal Academy of Arts
Amanda-Jane Doran, former Curator of the ‘Punch’ Archive, explains why Arthur Boyd Houghton’s vivid drawings of New York street life and Buffalo Bill Cody created a sensation on both sides of the Atlantic when they first appeared in the newly-launched weekly magazine ‘The Graphic’.
3.30–4pm
Free with an exhibition ticket or £3 for the event only; no booking required.
