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José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
5 October 2011
In the Reynolds Room, a John Madejski Fine Room
Computer visualisation of Tatlin's Tower by Dixon Jones Architects 
House Josephine Baker, Paris (1927), Architect: Adolf Loos. A re-enactment by Ines Weizman and Andreas Thiele for Ordos 100, 2008
The process of re-enactment – the act of restaging a performance or recreating an object – is central to how the past can be interpreted. Re-enactments transmit memory, yet also inevitably lead to its alteration with the creation and propagation of mythologies. This event examines the implications and possibilities of re-enactment on memory from a variety of perspectives and through several projects, including the recreation of Vladimir Tatlin’s Monument to the Third International this autumn in the RA’s Annenberg Courtyard.
Speakers include David Bell (President of The British Psychoanalytic Society), Jeremy Dixon (Dixon Jones Architects) and Ines Weizman (London Metropolitan University). Chaired by Peter Carl (London Metropolitan University).
6.30–8pm
SOLD OUT
A waiting list for returns will be taken from 6pm.
