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José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
29 October 2012
In the Reynolds Room, a John Madejski Fine Room
Downland Gridshell, Weald & Downland Museum, Sussex 1996-2002 by Edward Cullinan Architects Photo: Richard Learoyd Over his career, Ted Cullinan has developed a very particular modernism which embraces high technology yet incorporates local building materials and a pioneering approach to sustainability. In conversation with Mark Swenarton, Cullinan discusses the importance of context and community to his celebrated works such as the Downland Gridshell, West Sussex and Docklands Campus for the University of East London.
A limited number of tickets will be available on the door from 6pm.
6.30–8pm, followed by a drinks reception.
£12 / £6 reductions (students, jobseekers and people with disabilities)
