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© TRACEY EMIN. All rights reserved, DACS 2013. Photo: KERRY RYAN.
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
José Chávez Morado, 'Carnaval en Huejotzingo (Carnival in Huejotzingo)' (detail), 1939. Oil on canvas, 71.1 x 96.5 cm. Collection of Phoenix Art Museum, Gift of Dr. & Mrs. Loyal Davis © DACS 2013.
Richard Rogers Partnership, Lloyd’s of London, 1978-86. © Richard Bryant / arcaidimages.com & Piano + Rogers, Centre Pompidou, Paris, 1971-77. © Francois Le Diascorn / Gamma-Rapho via Getty Images
25 September 2013
6.30–8pm
Forest Hill
David Mach RA is well known for his sculptural appropriation of everyday materials (such as coat hangers, matchsticks and scrabble tiles) and for his large-scale collages. Both featured in Precious Light, a major exhibition by the artist in Edinburgh last year that marked the 400th anniversary of the King James Bible. In 1988 Mach was nominated for the Turner Prize and was elected Royal Academician in 1998. He invites Patrons to his studio to see the beginnings of a unique project in collaboration with the Royal Academy and his adventurous working practice.
Ticket Information
Free, but please RSVP
Full address provided on RSVP
Book on 020 7300 5885 or by filling in the form below:
This event is open to Patrons of the Royal Academy. For information on becoming a Patron please click here.
