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Lucas Cranach and Beauty

Girls, Foliage, Water and Fruit

30 May 2008
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Cranach went as far as Matisse towards confusing, or identifying, beauty with sexiness, and perhaps further towards using paint’s affinity with flesh to make the connection. Jeremy Gilbert-Rolfe, Art Center College of Design, Pasadena, demonstrates how Cranach, like Kant, associated beauty with nature – foliage, water and fruit – but also with girls.

In the Reynolds Room; 6.30-7.30pm

Academy Shop

Show photo credits

Joan Miró, The Birth of Day 1 (Naissance du jour 1), 1964. Oil on canvas, 146 x 113.5 cm. Fondation Marguerite et Aimé Maeght, Saint-Paul. Photo © Galerie Maeght.
© Succession Miró/ADAGP, Paris and DACS, London 2008.

 

The Antioch Chalice, Byzantine, from Syria, possibly Kaper Koraon or Antioch, first half of the sixth century. Silver cup set in footed silver-gilt shell, Height 19. 7 cm. Lent by the Metropolitan Museum of Art, New York. The Cloisters Collection, 1950 (50.4). Photo © The Metropolitan Museum of Art