Born: 10 October 1963
Elected: 28 May 2002
Over the last 25 years Fiona Rae has developed a distinctive body of work, full of restless energy, humour and complexity, which has set out to challenge and expand the modern conventions of painting. In the 1990s her early polyglottal inventions, arranged serially across the blank page of the canvas, gave way to dense paintings that depicted a world of interdependencies fractured by cubism, with all the hustle and energy of a metropolis. Rae rapidly moved through the playbook of abstraction in the 1990s, devouring and re-presenting the tropes and fixations of modernism through the lens of movie and televisual culture, quick to grasp the rapid changes in contemporary visual culture, and insert her painting practice into the present.
In 2000 Rae’s paintings began to reference a world keyed to the computer screen, echoing in painterly analogues many of the new visual conventions familiar to a post-Photoshop generation. Fonts, signs and symbols drawn from contemporary design and typography appeared, whilst more familiar abstract marks and spontaneous gestures worried the autonomy, legibility and function of these graphic shapes, debating a new synthesis of painterly languages. In 2004, her lexicon further broadened to include small figures or cartoons whose status was left intriguingly ambiguous. They served to point up the metaphysical and artificial dimensions of abstract painting, whilst also providing an empathetic point of identification for the viewer that invoked a more personal reading. Her recent titles often purport to be exclamations or statements, but like her paintings, they elude definitive explanation and can appear simultaneously dark and charming, anxious and insouciant.
Rae studied Foundation at Croydon College of Art from 1983-1984, and a BA Hons in Fine Art at Goldsmiths College from 1984-1987. She participated in ‘Freeze’, the group show curated by Damien Hirst in London’s Docklands in 1988, and ‘Sensation’ at the Royal Academy of Arts in 1997. Rae was shortlisted for the Turner Prize at the Tate in 1991. She served as a Tate Artist Trustee from 2005-2009, and was appointed the first female Professor of Painting at the Royal Academy Schools in 2011. Rae has exhibited extensively in museums and galleries internationally, and her work is held in prestigious public and private collections worldwide.
I think the beauty and excitement of painting is its potential to present a world for the viewer to inhabit, without instructions as to how to negotiate and understand it.
Fiona Rae RA - Selected CV
Recent Solo Exhibitions
2014 Painter, Painter: Dan Perfect, Fiona Rae, Nottingham Castle Museum and Art Gallery, UK; Southampton City Art Gallery, UK
2013 Fiona Rae: New Paintings, Galerie Nathalie Obadia, Paris, France
Fiona Rae: New Paintings, Timothy Taylor Gallery, London, UK
2012-13 Maybe you can live on the moon in the next century, Leeds Art Gallery, UK; The New Art Gallery, Walsall, UK; Towner, Eastbourne, UK
2011 Fiona Rae, Buchmann Galerie, Berlin, Germany
2006 You are the Young and the Hopeless, PaceWildenstein, New York, USA
2002 Fiona Rae, Carré d’Art - Musée d’art contemporain de Nîmes, France
Selected Group Exhibitions
2012 London Twelve, City Gallery Prague, Prague, Czech Republic,
2010 Babel, FRAC Auvergne, France
2009 Plastic Culture, Harris Museum and Art Gallery, Preston, UK and tour
Classified, Tate Britain, London, UK
2006 Pictograms; The Loneliness of Signs, Kunstmuseum Stuttgart, Germany,
Fiction@Love, Shanghai Museum of Contemporary Art, China; Singapore Art Museum, Singapore
2005 Talking Pieces, Museum Morsbroich, Leverkusen, Germany
Painting Pictures, Kunstmuseum Wolfsburg, Germany
2001 Hybrids, Tate Liverpool, UK
1999-2000 Colour Me Blind! Württembergischer Kunstverein, Stuttgart, Germany and tour